Best sellerMini candle stand
Simple enough never to tire of. Featured in the Japanese magazine Fujin Gaho.
A family of blacksmiths in the birthplace of Japanese iron. Forged over charcoal with swordsmith technique — and joined without a single weld.
Light a candle inside a sukashi holder and the flame does not stay on the table. It passes through the pierced iron plate and opens across the wall. The workshop cuts more than twenty different pierced patterns — so the same small object gives a different room every time.
Tap a pattern to see how one flame becomes a room.
※ 図柄は20種類以上。上のパターンは「透かしが灯りをどう広げるか」を示すための表現で、実際の図柄そのものではありません。
Almost every iron object sold today is pressed or machined. Everything here is the opposite of that, on purpose — and the workshop says so in three exact ways.
Hard iron is heated red until it softens, then beaten into shape with a hammer. Struck by hand, one piece at a time — so a soft trace of the hammer stays in the surface, and no two pieces are the same.
木炭による鍛造
Parts are joined the old way, by riveting — kashime-dome — instead of taking the easy route of a weld. It is slower, and it is the reason the joints look like part of the object rather than a repair.
溶接に頼らない“かしめ留め”
The workshop carries the signature Hiromitsu, and works are made with the techniques of Japanese sword forging. The head of the family qualified as a swordsmith in 1973 and was first selected for the national new-sword exhibition in 1978.
日本刀鍛錬の技法を今にいかす

Not a brand. A father, his son, and his daughter, working the same fire in a village in Shimane.
Candle stands, handheld lights, lanterns, vessels — and a few iron tools. Sizes are in millimetres; prices are the workshop's own, tax included.
Best sellerSimple enough never to tire of. Featured in the Japanese magazine Fujin Gaho.

Light passes through the pierced plate and opens wide across the wall. Over twenty patterns.

The old teshoku carried by hand, redrawn for a modern room. Straight or twisted stem.

A reconstruction of the holder that once sat inside a stone garden lantern.

Named for kera — the raw iron bloom drawn from a tatara furnace. Stand included.

Good steel, carefully quenched — the workshop tunes it for a clear tone.

A cherry blossom in iron. The shadow it drops below is half the pleasure.

Delicate and balanced; it does not ask for a particular place to stand.
The workshop has shown at Maison & Objet in Paris for several editions running, and says enquiries and recognition now come from outside Japan as well. What does not exist yet is a way to order in English — so, for now, that is what this page is for.

Ten generations, one fire, and a village address in Shimane. Tell them what you would like lit.
Enquire in English →
Kajikobo Hiromitsu · 鍛冶工房弘光
1168-8 Fube, Hirose-cho, Yasugi, Shimane 692-0623, Japan
contact@kaji-hiromitsu.com · TEL 0854-36-0026